There is an intriguing exhibit at University of Alberta Libraries that runs until the end of August 2010: Journeys beyond the neatline: expanding the boundaries of cartography.
This exhibit presents 25 works of two University of Alberta affiliated artist/cartographers who have documented their personal journeys through text and maps. The title of the exhibit — Journeys beyond the neatline — reflects their personal journeys beyond the traditional boundaries of the printed map — the neatline. Both have made pilgrimages which traverse terrain and individual experience. But beyond that, theirs are unique experiences recorded in text and visual expressions as maps. Like the works themselves, this exhibition, exemplifying a growing intersection of art and cartography, also represents a step beyond the traditional map exhibit for the William C. Wonders Map Collection.
I have just received the catalogue of the exhibit. I went through it quickly: It looks like two cartographic travelogues. It is a very nicely designed book and I am looking forward to reading the stories of these two artists/cartographers.
Fri 30 Apr 2010 – Sun 19 Sep 2010
PACCAR Gallery, British Library
Magnificent Maps showcases the British Library’s unique collection of large-scale display maps, many of which have never been exhibited before, and demonstrates why maps are about far more than geography.
The exhibition will include large-scale, impressive maps from the 1400s to the present day, including the largest atlas in the world, the Klencke Atlas of 1660. It will suggest the settings in which they might originally have been seen – from the palace to the schoolroom and the home – reveal the themes that unite them, and highlight the sheer artistry that was involved in their production.
Magnificent Maps will also explore the reason behind the construction of these visually arresting works of art. Which range from maps used for indoctrination or expressions of local pride to irrefutable statements of power and illustrations of rulers’ spheres of influence.
The exhibition will be supported by a wide range of events, from talks and discussions to family events.
For more information:
Julie Yau, Arts Press Officer, British Library
+44  20 7412 7237 / email@example.com
This artfully crafted map by Melissa Gould is a thoughtprovoking experiment – a narrative map, covering a fiercly discussed topic of alternate history: What if the Nazis had won World War 2? An extract from the artist’s comment, available on the project website: “NEU-YORK is a cautionary meditation, suggesting what the local geographical reality might have been like had victorious Nazis succeeded in bringing the Third Reich across the Atlantic Ocean in 1945. At the same time it is an exploration of psychological transport, place, displacement and memory. This re-imagining of the city plays with comparison and misrecognition, exploring the coexistence of past and present, fiction and reality.”
For more information, map samples and an overview see: http://www.megophone.com/neuyork.html
While surfing the net I came across the above map. It was “created from a reference photo of a real human brain which was used to build the 3d terrain. This digital elevation model was then used to create contour line data, relief shading and to plan where the roads and features should be placed for map compilation.”
A first version of our Experimental Cybercartographic Atlas of Canadian Cinema is now available. If you have a HIGH SPEED Internet connexion and a recent version of SAFARI or FIREFOX, you can explore it (unfortunatelly, due to the advanced, standards compliant nature of the technology powering the atlas it is currently NOT accessible with Internet Explorer. Note: If you only have Internet Explorer you can still explore the Google Map Mashup of Canadian Movie Theaters at the same address).
The overall goal of this EXPERIMENTAL atlas is to better understand the influence of cinema in the construction and dissemination of geographic identities. To reach this goal, this atlas maps Canadian cinematographic territories, including the territories of film production (e.g. shooting location), of film audience (e.g. revenues of films), and of film action. Simultaneously, this atlas serves as a laboratory to explore new forms of cartographic techniques inspired by cinema, including jump cut framing, and audio-visual mapping.
The Geomatics and Cartographic Research Centre (GCRC) from Carleton University has just released its new ‘Living’ Cybercartographic Atlas of Indigenous Perspectives and Knowledge in the Great Lakes Area (Canada). This online atlas is made of different sections (modules), including a wikimap on which contemporary indigenous artists can post their work (e.g. photos, images, audio or video files). Currently only few art work has been posted, but hopefully this wikimap will soon become densely populated.
To access the wikimap you will need either FIREFOX or SAFARI