January 16, 2010
Tintin Wulia is a contemporary artist doing fascinating cartographic performance. Her more recent work “Nous ne notons pas les fleurs” was inspired by the words of Antoine de Saint-Exupery in Le Petit Prince. In this performance she explores ephemerity through the creation of a large map of India with flowers. This performance was developed during a brief residency at Khoj International Workshop in Patna, India.
Another fascinating performance is “Terra Incognita, et cetera.” It was developed since early 2009 and have since been exhibited at Bus Gallery, Melbourne, and Centraal Museum, Utrecht (the exhibition there is closing today, 10 January 2009). In this performance the audience is asked to claim some pieces of territories on a large map based on the Bucky Fuller’s Dymaxion projection. Beautiful and stimulating.
As described by the artist:
The best part about it is, there will be little cocktail-sized white flags lying around, and you will be able to write your names on those flags, then stick it on whichever blood speck you want on the map.
At the end of the day, I will transfer the names written on the flag next to the corresponding blood specks in the passport-books. And so the names written next to the blood in the passport-books will change daily.
All this process will be recorded somehow, and shown immediately perhaps. Hm. Surveillance camera?
I’ll keep thinking.
December 16, 2009
Our special issue on Art & Cartography has just been published by The Cartographic Journal. If you are interested in the interaction between art & cartography, you should definitely take a look at the table of content.
As discussed in the editorial piece, in this special issue,
“The interactions between art and cartography is explored through different artistic disciplines: contemporary art – including visual art and performance art -, architecture, literature, new media art and cinema.(…)
Putting together this special issue has generated some unusual and interesting collaborations between artists and cartographers. We hope these links that have been established will serve as the foundations for further interdisciplinary research, development and the realization of new interpretations of geography. The preparatory work in developing this special issue was also as much challenging as it was thought provoking. (…) Much still remains to be done, and exploring the relationships between art and cartography should continue to stimulate new utopian as well as hyper-realistic ways of looking at the world and at its complexity.”
December 14, 2009
Map by Amy Martin
Found (by Tracey Lauriault) on Cartophilia and on the Washington Post this beautful piece of art. With this map, Amy Martin won the Public Option Please art contest and captures in such an elegant manner the importance of publicly-funded health insurance program in the United States. “A healthy United States is dependent on healthy American citizens — which is why I presented America as a vulnerable living system.”
November 24, 2009
The working group (WG) on Art and Cartography was pretty active at the International Cartographic Association Conference in Santiago (Chile) last week. We had our Working group meeting (Attendance: 19 people); a movie screening: A historical review of maps in film edited by Giacomo Andreucci & Virtual globes were born in cinema : A century of envisioning dynamic maps in movies edited by Sébastien Caquard (Attendance: About 100 people); and two paper sessions: 8 papers (Very well attended: up to 110 people). And we were present until the end of the conference as you can see on this picture…
We are looking forward to the next ICC: Paris 2011.
November 13, 2009
The ICA “Art & Cartography” working group is organizing a couple of activities at the ICC2009 in Santiago de Chile:
- A meeting of the working group in order to discuss future ideas, projects, perspectives in the promising field of art & cartography – Wednesday, november 18th: 14-17.30pm in R1 (room);
- A special movie screening: A selection of scenes dedicated to “Maps in Movies” (wednesday, november 18th at 18:00 through to 19:00, Main Auditorium);
- Two technical sessions (presentation of paper) (Saturday, November 21st).
Please feel free to distribute this message among friends and colleagues who will also travel to Chile and might be interested in topics concerning “Art & Cartography”.
November 12, 2009
Bierbergen Oedelum Black 2006 cotton, wool, silk & linen 80 x 80 inches
Awesome large-scale quilts are made by Ian Hundley, a Brooklyn-based artist, using maps as an inspiration and transforming them into these special patchwork pieces. (More images here). In this video (Cool Hunting, 2006) Ian Hundley discusses his work and inspirations.
Thanks to Xabi Zirikiain for being so informative!
November 10, 2009
American artist Karen O’Leary reimagines the map as an exchange of negative and positive space. Deftly cutting maps of New York, Paris and London with razor precision, she leaves delicate webs of streets as land and water are cut away. Negative space demarcates land, while meandering grids of paper represents streets.
There is an interview with the artist here.
More information about this work:
October 17, 2009
Evert Schut uses “Google Earth as a source of inspiration” to paint landscapes and to address issues related to the environment. I am not sure Google Earth, and virtual globes in general, can serve to stimulate the revival of lanscape painting as Evert suggests, but it has certainly stimulated the emergence of new forms of hybridations between cartography and art.
This blog is literally all about a new perspective for landscape painting: looking down on earth from a satellite up there in space! Google Earth has made it possible for anyone with a computer and internet to roam the Earth like a birds or even an astronout. For an artist like me this has become a huge new source of inspiration. Is this the revival landscape painting needs?
October 9, 2009
The symposium “Monitoring Scenography 3: Space and Desire / Raum und Begehren” (October 8th to 10th, 2009), will take place at the Institute for Design and Technology (idt) in Zurich.
In the 3 day symposium MONITORING SCENOGRAPHY 3: SPACE AND DESIRE, artistic and academic researchers in the visual arts, architecture, theatre studies and art history discuss the existence and textures of spatial languages, choreographies, mise-en-scenes and spatial representations of desire.
The scenographies of desire are both site-specific and global, artistic and commercial, real and virtual. Success stories in popular culture, advertisement and marketing rely heavily on a carefully designed analysis of desire and its translation into product-specific scenographies. In the staged and mediatised lives of the 21st century, the spaces of desire take on many forms. Inscribed onto them is the desire for uniqueness, inimitability and immersion – as both service and response to the spectacle.
MONITORING SCENOGRAPHY 3: SPACE AND DESIRE is the third in a series of annual symposia curated by the members of the Doctorate Program Scenography, a practice-based research unit between the Zurich University of the Arts and the University of Vienna. Its members are a diverse and international group of emerging and established artists and academics engaged in expanding the discourse on scenography toward the intersection of architecture, media, theatre and exhibition.
Podcasts from the previous symposium on Space and Truth are also available from the web site.