The quarterly published Journal “The Cartographic Journal” is this time (Volume 48, Number 4, November 2011) dedicated to the Geography of Literature. This volume was guest-edited by Barbara Piatti (literary studies) and Lorenz Hurni (cartography) and gives an impressive overview and insights into exiting interdisciplinary projects.
»A literary-geographical reading can change our
understanding – not only of books, but of the world we
live in. It creates knowledge. Through literary geography,
we learn more about the production of places, their
historical layers, their meanings, functions and symbolic
values. If places emerge from a combination of real
elements and fictional accounts, then literary geography
and literary cartography can work as a very effective eyeopener.«
Barbara Piatti and Lorenz Hurni: Editorial, pp.218-223
»This special issue of the Cartographic Journal on
‘Cartographies of Fictional Worlds’ is made up of fascinating
stories, exotic places, original concepts, and a series of
media that ranges from artistic collages to high tech
geospatial applications. This diversity demonstrates
the enthusiasm that prevails within literary cartography,
as well as the complex relationships that exist between maps,
narratives and places.«
»These examples provide a conceptual, methodological
and practical base that can serve to engage in the development
of original and relevant ways of merging the conceptual space
of the map with the experiential places of the narratives.«
Sébastien Caquard: Conclusive Remarks, pp.224/225
Have a look at 8 exciting papers at:
The Cartographic Journal
I strongly recommend to have a look to these Mathematical Mountains discovered in this webpage, But Does it Float. About them, their creator, Steven Brunton explains:
These images are excerpts from the bifurcation diagrams of various one-dimensional maps (…). Each of these dynamical systems model various physical phenomena in the real world. For example, the logistic map is a crude model of population dynamics with reproduction and limited resources, and it is often used as an example of the period-doubling route to chaos. Typical of chaotic systems, many regions in these figures exhibit self-similarity and reflect the order that emerges outof chaos.
These images were generated numerically by iterating the discrete-time maps above as a bifurcation parameter is varied. The bifurcation parameter is plotted as the y-axis (elevation), and at each elevation, the stratified layer represents the attracting set of the dynamical system for that particular choice of bifurcation parameter. Bifurcation refers to a qualitative change in the behavior or topology of a dynamical system as a parameter is varied.
Recently the Guggenheim Museum in Bilbao, bought a work of Mona Hatoum, interesting Lebanese artist raised in UK. This artist is multifaceted in the sense that she has worked a variety of disciplines including installation, sculpture and performance. Maps have been widely used in different formats in many of her workpieces. Just type in Google Maps Mona Hatoum to check it out.
(From wikipedia) Mona Hatoum (born 1952 in Beirut, Lebanon) is a video artist and installation artist of Palestinian origin, who lives in London. Mona Hatoum was born in Beirut, Lebanon to Palestinian parents in 1952. Although born in Lebanon, Hatoum does not identify as Lebanese. “Although I was born in Lebanon, my family is Palestinian. And like the majority of Palestinians who became exiles in Lebanon after 1948, they were never able to obtain Lebanese identity cards.”
Lately I’ve liked these maps called “3D Cities”: Regular ordinance survey maps, their two-dimension modified by a number of geometrical cuts forming paper depressions and elevations. We do not know what they signify, although we can guess that these are probably localized spots of violence.
Image from http://personal-geographies.blogspot.com
Mona Hatoum 3d Maps
Here you are a video by Tate Britain, “Mona Hatoum, studio visit.”