Call for Partipation: Catharsis and Connection Through Art and Cartography

from “A Sense of Impending Doom: A Strata-Walk for Turbulent Times”

The International Cartographic Association (ICA) Commission on Art & Cartography invites you to participate in their ICC2021 Pre-Conference Workshop: Catharsis and Connection Through Art and Cartography

Date: December 13th, 2021

Place: Florence, Italy and simultaneous Zoom

Call for Participation: 

In the summer of 2020, the Commission for Art and Cartography (ArtCarto) of the International Cartographic Society, in partnership with the Hamilton Perambulatory Unit (HPU), presented A Sense of Impending Doom: A Strata-Walk for Turbulent Times (https://impendingdoomwalk.wordpress.com/). This experimental, emotional, ephemeral mapping event relied on the body-as-sensor moving through space, as well as other techniques of reading, framing and re-framing one’s self and surroundings as we explored how we sense and deal with impending doom in our everyday lives and in our creative work. We wish to follow up further on our findings of Impending Doom with a new call for workshop proposals, this one focusing on Catharsis and Connection Through Art and Cartography.

As the world attempts to find a new post-pandemic normal, how can mapping contribute to catharsis and connection? How can we move forward towards new relations, better ways of being and being together? Our next event will take place as a pre-conference workshop of the 30th International Cartographic Conference (Dec. 14-18). The goal of this workshop is to provide an intellectual and creative space to share different ideas and methodologies about how creative mapping practices can provide a sense of catharsis and connection towards post-pandemic times.

Works that capture the processes of creative mapping, spanning the fields of critical, emotional, sensual, cinematic, socially engaged cartography, are especially welcome. Topics of interest include, but are not limited to, the following: speculative mapping, science-fiction/utopias, feral cartography, culinary mapping, locative media art, soundscapes, smellscapes and touchscapes, physical contact or lack of, crowds, trauma mapping, rhythms of the day or night, etc. 

Please submit a short bio and a 200-250 word abstract that outlines your proposed project or activities for the workshop. Website links and images of creative works are encouraged. Indicate whether you are interested in meeting in person at the International Cartographic Conference in Florence (if possible), or will participate online. Note that registration in the main ICC Conference (which requires fees) is not required. This workshop is open to all and free of charge.

To submit, or for more information, please contact the Chair of the Commission for Art and Cartography, Taien Ng-Chan: taien [at] yorku [dot] ca.

Deadline: SEPTEMBER 15TH, 2021

A Sense of Impending Doom: a strata-walk for turbulent times

Date: WEDNESDAY, JULY 22ND, 2020
Time: 7AM LOS ANGELES; 10AM TORONTO; 3pm GUIMARÃES (Portugal); 12AM MIDNIGHT MELBOURNE
Place: Simultaneous world-wide Zoom & in Guimarães (please email walk.lab2pt@gmail.com to register if you would like to attend in person, outdoors and safely distanced)

HPU + ArtCarto Investigating the Impending Zoom

How do we sense and deal with impending doom in our everyday lives and in our creative work? Can sensorial and mundane art-making practices help us to map our way out? The Hamilton Perambulatory Unit (HPU), in partnership with the Commission for Art and Cartography (ArtCarto) of the International Cartographic Society, presents a Strata-Walk (Doom and Zoom edition) for turbulent times. This live, online event will begin with a video presentation/performance on the Strata-Walk, HPU’s framework of stratigraphic place-making and mapping, before turning the focus onto the digital and technological space that connects us. Using a system of prompts, Strata-Walkers map their environments in a performative gesture by turning their attention to one element of place, then documenting it in a Strata-Map. This experimental, emotional, ephemeral cartography relies on the body-as-sensor moving through space, as well as other techniques of reading, framing and re-framing one’s self and surroundings.

For this walkshop (part of the international conference Drifting Bodies/Fluent Spaces), four members of HPU and ArtCarto – located in Canada, the US, and Australia – will lead participants through an investigation of the digital strata of Zoom and the intimate, analog materialities strata of one’s room (if in lockdown, as many still are) or wherever one happens to be. Starting in the centre of our collective Zoom and doom, we will explore our embodied emotions, networked places, and live speculative imaginings, mapping our way out to find the sky above us all. The resulting collective mappings will be constructed into an ad hoc art exhibition and all participants will share credit.

Participants are asked to bring one or two sheets of blank paper, a black marker, a device with a camera, and the web-conferencing application Zoom pre-downloaded (can be on same device as camera, or ideally, a separate device). A Zoom link with password will be shared a day before the event.

For registration or more info, contact: hamiltonperambulatoryunit@gmail.com

Conference website: https://walk.lab2pt.net/

Call for Participants: Maps and Emotions Workshop, ICC 2017

A call for participants for a workshop on Maps and Emotions that will take place in Washington DC on July 1-2, 2017 prior to the 28th International Cartographic Conference. The goal of this workshop is to provide an intellectual and creative space to share different ideas and methodologies that can help further exploring the complex relationships that exist between places, maps and emotions.

Feel free to disseminate this call in your networks and let us know if you have any questions.

Maps & Emotions

Workshop organized by the International Cartographic Association (ICA) Commissions on Cognitive Issues in Geographic Information Visualization & Art and Cartography, Washington DC, July 1-2, 2017

For the last couple of decades, the importance of integrating emotions and affects in studying places has been broadly acknowledged, which led certain authors to talk about an “emotional turn” in geography (Thien 2005; Davidson et al. 2007). This emotional turn has also affected cartography where the relationships between maps and emotions have been explored from two different perspectives; scientific and artistic. A more scientific approach, characterized by the growing interest to study emotions generated by different types of cartographic designs (Fabrikant et al. 2012; Muehlenhaus 2012; Griffin and McQuoid 2012) and by the use of social media and digital technologies to collect and represent emotions generated by certain locations (Hauthal and Burghardt 2013; Klettner et al. 2013). A more artistic approach is characterized by the will to capture and express cartographically the emotions associated with places in a sensitive way. Artists such as Christian Nold and Ariane Littman have been exploring alternative cartographic ways of capturing emotions and affects associated with certain places. This growing interest in mapping emotions is also reflected within the emergence of the concept of “deep mapping”, which is based on the idea that we can truly understand places only by taking into account the memories, emotions, and perceptions associated with them. These different approaches have in common that they need to address the complex question of how to characterize affects and emotions and how to map them? The goal of this workshop is to provide an intellectual and creative space to share different ideas and methodologies that can help addressing this question.

This workshop aims to bring together artists, scholars and students from cartography, geography, the humanities and the arts who are interested in exploring further the relationships between maps, emotions and places. We would like to invite participants interested in discussing and debating any type of relationship between these elements including:

  • The theoretical underpinning of mapping emotions;
  • The cognitive aspects of designing maps that can trigger emotions and in understanding how emotions influence map use;
  • The methodologies developed in arts, sciences and the humanities for collecting emotional material associated with places (e.g. memories, perceptions);
  • The technological and practical aspects of mapping emotions;
  • The social and political implications of mapping emotions and designing emotional maps

Submission process and important dates

  • To participate in the workshop, each participant must submit either (1) an abstract describing the research / artistic project s/he would like to present (max. 500 words); or (2) a proposal describing the emotional mapping activity s/he would like to organize and the logistical issues associated with it (e.g. how long the activity should last? Do you need special material or venue?) (max. 1,000 words).
  • Each abstract/proposal should be summited by September 30th, 2016 to Amy Griffin (a.griffin@adfa.edu.au), and Sébastien Caquard (sebastien.caquard@concordia.ca) who will share them with the other members of the scientific committee: Julia Mia Stirnemann and Sidonie Christophe.
  • These discussions will be structured around two types of activities: (1) conventional academic presentations enabling individuals to talk about their own research and artistic practices; and (2) emotional mapping activities organized by some of the participants to address one or several aspects of the relationships between maps and emotions (e.g. data collection in some identified neighborhoods in Washington DC; designing maps that could trigger emotional responses; testing the effectiveness of emotional maps).

Logistics 

The workshop will be hosted by The George Washington University, located downtown Washington DC. The workshop will be free of charge, but the participants will have to pay for their food and lodging (a list will be provided on the 28th International Cartographic Conference website: http://www.icc2017.org/).

Timeline 

  • July 18th, 2016 – First Call for Participants;
  • Sept. 1st, 2016 – Second Call for Participants;
  • Sept. 30th, 2016 – Deadline for submitting abstracts or activities proposals;
  • Nov. 1st, 2016 – Successful Applicants notified;
  • Jan. 15th, 2017 – Participants confirm their participation
  • Feb. 2017 – Preliminary program released;
  • May 2017 – Final program released;
  • July 1-2, 2017 – Workshop prior to the ICC 2017.


References

Davidson J, Smith M and Bondi L (2007) Emotional Geographies, Hampshire, UK: Ashgate Publishing. Fabrikant SI, Christophe S, Papastefanou G and Maggi S (2012) Emotional response to map design aesthetics. In: GIScience 2012: Seventh International Conference on Geographic Information Science, Columbus, Ohio, 18–21 September. Available at:http://www.zora.uzh.ch/71701/1/2012_FabrikantS_giscience2012_paper_64.pdf

Griffin AL and McQuoid J (2012) At the Intersection of Maps and Emotion: The Challenge of Spatially Representing Experience. Kartographische Nachrichten, 62(6), 291–299.

Hauthal E and Burghardt D (2013) Detection, Analysis and Visualisation of Georeferenced Emotions. InProceedings of The International Cartographic Conference 2013. Dresden (Germany): International Cartographic Association, 25-30 August 2013.

Klettner S, Huang H, Schmidt M and Gartner G (2013) Crowdsourcing affective responses to space.Kartographische Nachrichten 2(3): 66–72.

Littman A (2012) Re-thinking/ Re-creating a different Cartography. ETH Zurich, Available from: http://cartonarratives.files.wordpress.com/2012/02/littman_proposal.doc

Muehlenhaus I (2012) If Looks Could Kill: The Impact of Different Rhetorical Styles on Persuasive Geocommunication. The Cartographic Journal 49(4), 361–375.

Nold C (2009) Emotional cartography. Technologies of the Self. Available from: www.emotionalcartography.net. Thien D (2005) After or beyond feeling? A consideration of affect and emotion in geography. Area, 37(4)

Cinema as Deep Map: Patience (After Sebald) and cinematic cartography

Screen Shot 2015-12-03 at 11.27.25 PM
Screenshot from documentary by Grant Gee (2011)

“Mapping Out Patience: Cinema, Cartography and W.G. Sebald,” an essay by Taien Ng-Chan, was first presented at the 26th International Cartographic Conference in Dresden, Germany, in 2013, and was published recently in the journal Humanities, in a special “Deep Mapping” issue edited by Les Roberts. As described in the abstract: “cinematic cartography can be an especially powerful tool for deep mapping, as it can convey the narratives, emotions, memories and histories, as well as the locations and geography that are associated with a place. This is evident in the documentary film Patience (After Sebald) by Grant Gee, which follows in the footsteps of W.G. Sebald and his walking tour of Suffolk, England, as described in his book The Rings of Saturn. A variety of strategies in cinematic cartography are used quite consciously in Gee’s exploration of space, place and story.” It can be downloaded at http://www.mdpi.com/2076-0787/4/4/554

Other papers in this very interesting special issue include “Mapping Deeply” by Denis Wood, “The Rhythm of Non-Places: Marooning the Embodied Self in Depthless Space” by Les Roberts, and “Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute” by Laura Bissell and David Overend. Full details are here: http://www.mdpi.com/journal/humanities/special_issues/DeepMapping