Author: Chris Watson

http://vism.ag/inkplay

Physical Map Projection Mapped

Projection mapping offers exciting opportunities to animate and alter our perceptions of a physical space through light. More often the physical space projected on to is buildings with mesmeric light sequences and often contextual narratives.

Image © 2015 Dalziel and Pow

Much like Louis Daguerre & Charles Bouton achieved a sense of movement through altering the play of light on a large transparent screen with the Diorama in 1822, projection mapping can create this immersive and moving scene onto any 3d object or screen. Through altering the play of light with large amounts of lumens generated by today’s digital projectors, artists and designers can become the theatrical painters without being limited to dark purpose built venues and opaque or translucent paints, instead projections can be achieved in other lighting situations with custom built screens & pixels.

Dalziel + Pow have moved the play of light onto a physical map where they experiment with different narratives using the terrain of Berlin to abstract and segment their sense of movement. I like the idea that with this being an indoor permanent installation the growth and development of the narratives can evolve and change from the projection mapping unlike many projection mapping spectacles that are single events. It is exciting from a data visualisation point of view to see how they could experiment with this, ‘expect to see dynamic data and live online feeds added in the near future.’ (Dalziel and Pow, 2015).

Dynamic data could be live narratives from geotextual tweets, visual iconography of weather, real time data of subway, air or live visuals with imagery of scenery, architecture that are geotagged within the framed boundaries of the physical map then abstracting into their segments in a realtime collaborative cartophoto-montage.

Primark Berlin: Projection Mapping Project from Dalziel and Pow on Vimeo.

It is exciting to see how this art form will evolve with physical cartographic representations and their inter-play with light immersing us through digital mappings.

http://www.dalziel-pow.com/projects/digital-projection-mapping-installation

 

See also https://www.youtube.com/watch?v=lX6JcybgDFo for projection mapping onto moving physical objects much more aligned to the spectacle characteristics of the Diaroma. Or even see this http://www.theicebook.com/The_Icebook.html.

Mapping Shakespeare’s Othello

Additional background information is shown / Collected and written by Tom Cheesman

This map is part of a research project initiated and super­vised by Tom Cheesman at Swansea University in collab­or­a­tion with Kevin Flanagan and Studio NAND. Over the course of nearly two years, Tom has collected over 50 trans­la­tions and adapt­a­tions of Othello into German driven by the idea to analyse and compare them in order to find traces and patterns that reveal cultural, histor­ical and social fluc­tu­ations.

[…] a first proto­type called Version Variation Visualisation in which we helped building a set of visu­al­isa­tion tools for an exem­plary corpus of 37 German trans­la­tions of Othello (Act 1, Scene 3) in collab­or­a­tion with Kevin Flannagan andSebastian Sadowski.

A beautiful clean design to the map reminiscent of the Stamen Maps Toner maps, it is a great blend of data visualisation, literature and cartography. Differentiating between Books & Scripts the dates on the interactive web based map highlights details of the writers and where that text might have been written, rewritten, published. The creators state this is just a beginning and will no doubt grow, reminds me of Literature Atlas.

http://othellomap.nand.io/

 

runanempire

Run an Empire Game

 A smartphone game where you compete against others to capture territory in your local environment.

Run An Empire is a game where players compete to capture and maintain control of as much of their local territory as possible. To capture somewhere you have to run (or jog, or walk) around it.

The game uses your neighbourhood as an arena for play.

I love this idea of having games in maps, using the local environment to control territory is great. User actions could move beyond just walking to own a territory, could be leaving things at places digitally like geocache’s. This really is the gaming layer on top of the real world.

https://www.kickstarter.com/projects/panstudio/run-an-empire-the-real-world-territory-control-gam

Other Places

This is an interesting project which is ‘A series celebrating beautiful video game worlds’.

Considering the advent of interactive technologies such as Augmented Reality and explorations of the interaction between maps and games (see previous post and look up the Dresden ICC worskhops), these realities might not be too far away from merging into our own.

 

http://www.otherplaces.co.uk/

Here is one of those worlds in the collection.

 

 

Speed of Light in Manchester (uk)

Posted previously, the fantastic Speed of Light will be illuminating the night(s) in march at this years Future Everything festival:

Quays Culture presents NVA’s Speed of Light at MediaCityUK, an extraordinary public art performance that is set to bring Salford’s waterfront to life from 8pm on 21, 22 and 23 March. A centrepiece of the Edinburgh International Festival and recently staged in the docklands of Yokohama in Japan, the night-time work uses light, intentional movement and sound to change the way we see and feel about a chosen environment. Hundreds of runners in specially commissioned LED light suits will create beautiful, choreographed patterns of light flowing over bridges and around public spaces and buildings that surround Salford Quays. Free and non-ticketed for the watching audience, it can be seen as a piece of abstract art on the grandest scale: monumental but surprisingly quiet and reflective.

20130219-232925.jpg

http://futureeverything.org/summit/art/quays-culture-presents-speed-of-light/

Speed of Light

Happy New Year everyone.

 

A mesmerising visual display unfolds each night on the ascent to the summit as hundreds of runners wearing specially designed light suits take to the intricate path networks below. As a member of the walking audience you become part of the work, carrying portable light sources set against the dark features of the hill.

Each individual performance is created by collective action, landscape and weather, offering a rare perspective on the cityscape, night skies and the sea and hills beyond.

speed of lightspeed of light2

http://edinburghfestival.list.co.uk/event/246791-nvas-speed-of-light/

Wastelands to Wonderlands

I recently visited the British Library @britishlibrary in London where they explored literature ‘from William Blake to the 21st-century suburban hinterlands of J G Ballard, Writing Britain examines how the landscapes of Britain permeate great literary works.’

It is an interesting project with over 150 literary works included categorised into:

  1. Rural Dreams
  2. Dark Satanic Mills
  3. Wild Places
  4. Beyond the City
  5. Cockney Visions
  6. Waterlands

What caught my attention was the description of Wild Places,

‘Wild landscapes such as moors and heaths can be overwhelming and unknowable, presenting challenges to the human mind. […] Encounters with the wild can equally be transformative for writers, enlarging their ordinary limits of perception, and prompting spiritual renewal’

It was enlarging the ordinary limits of perception that intrigued me, is this what neocartography could be, what makes these places enlarge the ordinary limits of perception?

I like to think that it is something along the lines of ‘GeoSensitivities’ that these places are transformed/transcend the ordinary limits through literature or cartography. These sensitivities could be along the lines of what psychogeography explores:

  • human beings walking (not cars)
  • lost found making the unimaginable, imaginable
  • new maps can smell
  • experiential & hidden

These are some of the views that @FelphamPA proposes, is it partly that place of magical realism in literature, these non existent environments (enhancements) that enlarge the ordinary limits of perception?

It could be these devices literature/geosensitivities that could provide the wonder, or as FelphamPA quotes:

“Felpham, in particular, is the sweetest spot on earth.”
William Blake

http://www.bl.uk/whatson/exhibitions/writingbritain/about/

Share your own tales with an interactive map http://www.bl.uk/pin-a-tale/pin-a-tale-map.aspx

You might also like http://www.poetryatlas.com/